Zen brotherhood
MATT GLEASON World Entertainment Writer
01/12/2003
Tulsa World (Final Home Edition), Page H1 of Entertainment

 

“In two and a half to three minutes we turn your brains to mush, and then we’re outta there.” So sayeth ZEN HIPSTER.

Below: Members of the local band ZEN HIPSTER. ZEN HIPSTER formed about nine years ago when the original Hipsters joined up to play small shows.
Photos by JOHN CLANTON /Tulsa World


 

Nine years of practice, gigging lead to ZEN HIPSTER's 'End Process'

Eric Reese doesn't look like he sounds on ZEN HIPSTER's latest record "End Process."

Sure, he's got the bushy ZZ Top-esque goatee that dangles from his chin like the hair of an upside down Troll Doll. However, he's got a cherubic face that doesn't scream "fear me" in a hoarse, make-you-wet-your-pants voice.

But if you pop in "End Process," Reese's vocals sound like the Ozz man cometh right out of your speakers with a vengeance. He even boggles drummer Josh Baker's mind.

"I knew Eric before I was even in a band with him," Baker said about Reese. "I mean, look at him, he's a happy-go-lucky guy but he writes about some pretty heinous s---. I'm like, 'Damn dude, where did that come from?' "

The first track on the new disc "Dust" confronts child abuse while "Nubby" is about Reese coming to terms with his shortened right-hand fingers.

During the interview, Baker ribbed Reese about the stubby fingers, which are the result of a birth defect. Reese can still play guitar, but he needed skin graphs from his behind to heal them properly.

ZEN HIPSTER formed about nine years ago when the original Hipsters -- Reese, Baker and guitarist Jason Wood -- joined up to play small shows. They recorded their first CD, "Freakin' Rock," with a bassist who was later replaced by Jarrod Elmore. Elmore had high praise for "End Process," which isn't surprising because he was a loyal Hipster fan long before he joined them two years ago.

"What's really fantastic about this second album is that it goes deeper into what makes ZEN HIPSTER great, which is its recognition of the true roots of rock and roll," he said. "It pays tribute to classic rock and that's what I've always found genius about these guys. That's also why I wanted to play with them when they asked me. They're definitely not screwing around."

The band didn't have the cash to lay down a huge chunk of money to record "End Process." Instead, they worked their day jobs -- Reese is a quality inspector at a plastic bag manufacturer -- and played as many gigs as they could possibly fit in. Money not spent paying bills was invested in studio time. After two years they were finally done with the record.

"This new one is representative of the band I always wanted to be in," Wood said. "It's hard rockin' with guitar solos, but it doesn't wank off. In two and a half to three minutes we turn your brains to mush and then we're outta there."

Reese said the band used what they had learned on its first record to produce a more mature disc both lyrically and musically. And even though they just released "End Process," Baker said they already have new songs to push their musical borders even further.

Regardless of how successful "End Process" is, Reese said the band doesn't just do it for the fan adulation and financial rewards. It's something that has few rivals in their lives. And even on days when they feel weary and haggard, the band dynamic infuses them with renewed energy.

"There are plenty of times when I don't want to practice at all," Reese said. "But then I usually find myself at the end of the night thinking, 'Man, does everybody really have to go? Come on guys let's have another beer.' It's just a hell of a lot of fun."

Baker concurred, "This is a brotherhood," he said. "These guys know more about me than they'd ever care to know."

Zen Hipster, Freakin Rock.

Four years after members of Al­ice in Chains, Pearl Jam and Screaming Trees united in a side project called Mad Season, the four members of Tulsa 's Zen Hipster are still trying to fuse these bands' styles into a new and stronger al­loy. "Freakin Rock" pulls it off with conviction, too. There's nothing zen about this archetypal '90s slomp-rock or singer-guitarist Reese's angsty lyrics ("Life's bearing down on me / like never before"), but Zen Hipster possesses a spark most Soundgarden clones lack, largely thanks to an energetic and creative rhythm section. When the lights go low for the inevitable mid-album ballad, "Life" still wins over with smart guitars and — miracu­lously, given the lyrics — an ab­sence of pretension. A promising debut. Available in stores.

 

Thomas Conner

Tulsa World

September 11th, 2001

 

ZEN HIPSTER

There's nothing Zen about these hipsters.

Back in the late '90s, lead singer Eric Reese, drummer Josh Baker and guitarist Jason Wood rolled up their musical influences -- namely, Alice in Chains, Ozzy Osbourne and Zakk Wylde -- struck a match and inhaled deep, toxic breaths.

They've been blowing smoke rings off that dirty, musical cigar for years.

Since then, they've produced two albums "Freakin' Rock" and "End Process."

They are in the process of writing new material for a forthcoming release.

Matt Gleason

Tulsa World

Spot Nomination Blurb

 

Show benefits cancer research

Two simple words say everything about the dreaded disease that claimed Rick Horton's mother, Donna White, in 1996 -- Cancer Sucks.

Saturday night at Curly's, the bands Oklahoma , Maindrayn, ZEN HIPSTER, Skruface, Eye Rate, Liquid Lunch and musician Cody McCombs will help Horton raise money for cancer research.

"Without getting real sentimental, Cancer Sucks is my dedication to my mom," Horton said about the annual event. "She donated her body to cancer research, so all that I can do to follow through with that is to do something for cancer research."

Josh Baker, drummer for ZEN HIPSTER, said playing the Cancer Sucks benefit show has special meaning for him.

"Cancer hits very close to home for me," Baker said. "My mother died in November 2001 of cancer. I hate that disease. If playing these benefits will somehow help someone else's mother, father, brother, sister, son or daughter; count me in every time."

The show starts at 7:30 p.m. Admission is $5 and all proceeds benefit cancer research. Those who wear a Cancer Sucks T-shirt will receive a free beer.

Matt Gleason

Tulsa World

Cancer Sucks Benefit

 

Bands battle for respect, cash

The Battle of the Bands during Blue Whale Days in Catoosa will have 12 of the area's finest bands vying for a $500 grand prize.

"The concept is kind of strange because the bands aren't really playing against each other. They're playing against themselves," said Chad Sevigny, the event organizer who also hosts a local music show on Rogers State University 's radio station KRSC (91.3 FM). "They'll be judged on things like their stage presence and the use of their time on stage."

The bands that will battle it out are Duende, Day by Day, Cody McCombs Band, Word of Mouth, Down for Five, ZEN HIPSTER, HotrodboBcq, Oklahoma, Urban Tribe, Pablo's Dove, Greenview Circle and Liddell.

The second-place prize is $250 and third place gets $100.

The battle starts at noon and ends at 4 p.m. on Saturday at Rogers Point Park , two miles north of Catoosa. Admission is free.

Tulsa World

 

View in Print (PDF) Format

The naked & the dead
MATT GLEASON World Scene Writer
10/31/2003
Tulsa World (Final Home Edition), Page S16 of TheScene, Music_Previews, Entertainment

>

Brian Parton and the Nashville Rebels.
TOM GILBERT / Tulsa World

Below: (top to bottom) Vastu, Upside, ZEN HIPSTER.
Tulsa World file and courtesy photos


 

Venerable Freakers Ball resurrected with 17 band blow-out

The year was 1974. President Richard Nixon resigned, KISS released its first album, disco hustled onto the national music scene and streaking mania hit the country.

In Tulsa , locals donned freaky Halloween costumes and proceeded to rock at the inaugural Freakers Ball

at the Tulsa State Fairgrounds.

The event's co-founder Jeff Nix described it thus: "Gross, sick, demented, twisted, perverted, filthy and creative."

Nix and his partner Robert C. Bradley dubbed the event Freakers Ball as an homage to poet Shel Silverstein's "Freakin' at the Freakers Ball," which was recorded by Dr. Hook and the Medicine Show.

The song invites the listener to shake their mojos, bang their gongs and "roll up somethin' to take along."

When Nix and Bradley later bought the Cain's, the Freakers Ball went with them.

In '99, the Halloween costume contest/rock concert, celebrated its 25th anniversary at the Cain's Ballroom.

Then, it vanished like Jimmy Hoffa did the year of its inception.

In the mean time, local promoter Davit Souders, who has been involved with the Freakers Ball for more than a decade, thought about hosting the ball at other venues, but he couldn't.

"It just didn't feel right to take it anywhere else other than the Cain's," Souders said.

Now, some three Halloweens later, the Freakers Ball has emerged from oblivion.

To celebrate its resurrection in the newly-restored Cain's Ballroom, the Freakers Ball won't just have two stages featuring an array of local artists. It'll have three.

By the end of the night, 17 bands -- ranging from the power-pop group Johnny Reliable to the heavy metal band Down for Five -- will have performed.

With so many bands, Souders has devised a way to pack them all in.

When a band finishes on the Cain's main stage, the band playing on the second stage -- to the left or right of the main stage -- will immediately begin.

A total of seven acts will play back-to-back in Bob's, the new bar adjoining the Cain's.

The Freakers stage setup has changed over the years, but one thing has remained the same, the outrageous costume contest.

"Everyone does costume contests around town, but I don't think anyone can top this," Souders said. "It's unbelievable what you see there."

Nix not-so-fondly remembered one of the Freakers attendees, who wore a raincoat and -- ahem -- a prosthetic phallus.

"That was one of the more tame costumes," Nix said.

Larry Shaeffer, who carried on the Freakers Ball after Nix and Bradley, jokingly said he did it for "the naked girls who showed up, buddy. It was a strip show."

In the mid-'80s, a white limousine pulled up to the Cain's. Its occupants made a grand entrance, Shaeffer said.

"These two magnificently-dressed ladies got out wearing nothing but heels, hose and garter belts," he said. "They weren't trash. They looked like Las Vegas showgirls."

The lovely ladies made one complete circle through the ballroom full of wide-eyed Tulsans, then they stepped back into the limo, which promptly drove away.

Those who wore clothing to the balls, Shaeffer remembered, took great care in preparing their costumes.

"Most of them were hand-made," he said. "There was a lot of time invested in them. People would spend weeks on their costumes. Nothing was off the rack.

"It really wasn't a music show, it was a costume show."

So take Silverstein's advice:

Come on, baby, grease your lips
Put on your hat, and shake your hips.
And don't forget to bring your ships.
We're goin' to the Freakers Ball.


Freaker's Ball

Who: New Science, Upside, DDS, Brian Parton and the Nashville Rebels, ZEN HIPSTER, Philmore, Bageyes, Spank, Gutwrench, TRB, Ziff, Johnny Reliable, Jazzcow, Down for Five, HotrodboB, Urban Tribe, Vastu
When: 7: 30 p.m. Friday
Where: Cain's Ballroom, 423 N. Main St.
Admission: $7 at the door

 

Tulsa bands head to SXSW with high hopes
MATT GLEASON World Staff Writer
03/12/2003
Tulsa World (Final Home Edition), Page D4 of Entertainment

Fanzine performs during the South by Southwest festival.
HA LAM / Associated Press file


Music has its holy places and -- of all places -- one of them is Austin, Texas.

"South by Southwest is to the musician as Mecca is to a Muslim," said Josh Baker, drummer for the Tulsa rock band ZEN HIPSTER.

The monstrous South by Southwest music festival begins Wednesday and continues through Sunday.

The annual music industry conference and festival this year offers music aficionados a chance to hear stellar tunes from a wide array of acts, such as Richie Havens, Jay Farrar, Billy Bob Thornton, Nada Surf, Supergrass, Mudhoney and Camper Van Beethoven.

In addition, South by South west's various seminars cover far-ranging topics, such as the basics of touring and how to survive on an indie record label. This year's keynote speaker is famed music producer Daniel Lanois.

Not to be left out of the fun, the schmoozing and the opportunity to acquire new fans, Tulsa bands Ultrafix, Ester Drang, Aqueduct and local rock legend Dwight Twilley will perform during the festival.

"We're going down there to really promote Ultrafix," said drummer T.J. Green about his band, scheduled to perform Saturday night at the Hard Rock Cafe in Austin . "We want to draw as much attention to us as possible."

Ester Drang's James McAlister said, "We've never been to South by Southwest, so we have no idea what to expect. We're going to have good time and meet up with the guys from (Ester Drang's record label) Jade Tree for the first time."

Ester Drang plays the Privilege Patio at 9 p.m. Wednesday. They will be immediately followed by Aqueduct at 10 p.m.

Dwight Twilley will hit the Aussies stage at 1 a.m. Thursday night.

Although Baker's band won't perform at the five-day festival, he'll be attending because he said it is an excellent opportunity to schmooze record label ex ecutives and anybody else that might take a liking to his band's hard rock music.

It's one heck of a good time, too, he said.

"There are zillions of musicians, artists and entertainers in about a six-block radius," said Baker, who has ventured from Tulsa to the Austin festival for several years with his band mates. "It is five days in God's country hearing great music in a Bourbon Street -esque environment."

Omnizine finalizes second compilation CD; Parker up for `Golden' award
THOMAS CONNER; JOHN WOOLEY
01/24/2002
Tulsa World (FH Edition), Page D4 of ARTS


The diverse conglomerate that is Omnizine -- Omnizine
Radio on KRSC, Omnizine.com, Omnizine Concerts, Omnizine
sampler CDs -- is gearing up for another CD compilation.

Tulsa-based Omnizine supports and promotes the music of
a five-state area (Oklahoma, Texas, Kansas, Missouri and
Arkansas ) and released its first compilation early last
year, featuring nearly all Tulsa- and Oklahoma City-area
artists. Volume Two of the set will broaden the horizons
into the five states with bands like the Billions (Topeka,
Kan.), Eniac (Denton, Texas), Moaning Lisa (Kansas City,
Mo.), Speedtrucker (Dallas), the Paper Hearts
(Fayetteville, Ark.) and more. Tulsa bands include And
There Stand Empires, Brian Parton and the Nashville Rebels,
Tex Montana's Fireball Four and ZEN HIPSTER.

The CD should be available locally by Feb. 5.

© 2004 Zen Hipster. All Rights Reserved